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Nazi rules for jazz performers


Just to get away from politics for a little while and to avoid the sin of hubris I am going to share this wonderful piece of totalitarian nuttiness sent to me by GD :

Nazi rules for jazz performers

Famed Czech radical Josef Skvorecky recently died at 87 in his adopted land of Canada. In the Atlantic, JJ Gould remembers Skvorecky through his memoirs, including a detailed list of the rules for jazz performers during the Nazi occupation. The Reich’s Gauleiter for the Nazi Protectorate of Bohemia and Moravia issued a 10-point regulation that Gould calls “the single most remarkable example of 20th-century totalitarian invective against jazz.”

1 Pieces in foxtrot rhythm (so-called swing) are not to exceed 20% of the repertoires of light orchestras and dance bands;

2 in this so-called jazz type repertoire, preference is to be given to compositions in a major key and to lyrics expressing joy in life rather than Jewishly gloomy lyrics;

3 As to tempo, preference is also to be given to brisk compositions over slow ones so-called blues); however, the pace must not exceed a certain  degree of allegro, commensurate with the Aryan sense of discipline and moderation. On no account will Negroid excesses in tempo (so-called hot jazz) or in solo performances (so-called breaks) be tolerated;

4 so-called jazz compositions may contain at most 10% syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the barbarian races and conductive to dark instincts alien to the German people (so-called riffs);

5 strictly prohibited is the use of instruments alien to the German spirit (so-called cowbells, flexatone, brushes, etc.) as well as all mutes which turn the noble sound of wind and brass instruments into a Jewish-Freemasonic yowl (so-called wa-wa, hat, etc.);

6 also prohibited are so-called drum breaks longer than half a bar in four-quarter beat (except in stylized military marches);

7 the double bass must be played solely with the bow in so-called jazz compositions;

8 plucking of the strings is prohibited, since it is damaging to the  instrument and detrimental to Aryan musicality; if a so-called pizzicato effect is absolutely desirable for the character of the composition, strict care must be taken lest the string be allowed to patter on the sordine, which is henceforth forbidden;

9 musicians are likewise forbidden to make vocal improvisations (so-called scat);

10 all light orchestras and dance bands are advised to restrict the use of saxophones of all keys and to substitute for them the violin-cello, the viola or possibly a suitable folk instrument.

Josef Skvorecky on the Nazis’ Control-Freak Hatred of Jazz

Isn’t that just so sadly funny? Especially because such rules were proclaimed with total seriousness, sort of reminds me of the local Greens and their desire to control the free expression of the print  media…
Oh damn I was trying to get away from Australian politics…

Ok then lets wrap up with some Big band jazz:

Cheers Comrades


  1. Paul says:


    Typical isn’t it, such a beautiful and natural form of expression like jazz controlled by irational and hateful people. I think your parallel with the greens is spot on.


  2. Ray Dixon says:

    Not all those rules were bad, Iain.

  3. Iain Hall says:

    Oh Ray!
    You are a worry sometimes 😆

  4. Ray Dixon says:

    Conspicuous by their absence is any mention of banning Rap music and the words “nigger”, “motherfucker” & “slap your bitch”.

  5. Iain Hall says:

    Well it was written during the second world war. So any mention of Rap music would be something of a temporal abnormality and an anachronism…

  6. Ray Dixon says:

    I’d like to see a modern-day Nazi list of music rules. Maybe GD could give us one, seeing he’s up with musical terms. Get to it, GD.

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